“…one of the most potent, if under recognized, guitarists on the post-Frisell/post-Scofield scene.” – Bill Milkowski, Jazz Times

“Will Bernard is one of the best-kept jazz-guitar secrets on the planet.” – Dan Ouellette, Billboard

Will  began playing and recording on an international level as a member of Peter Apfelbaum’s Hieroglyphics Ensemble,who made their recorded debut with Don Cherry on “Multikulti” (A&M 1989). Since then, Bernard has participated in a host of boundary stretching groups, ranging from jazz, hip-hop and world music to experimental music, with many stops in between. In the 90’s Bernard recorded and performed with many projects under the direction of acclaimed producer Lee Townsend
and worked with groups ranging from the Hindustani-influenced Jai Uttal to the political hip-hop group the Coup. The most commercially successful of these projects was the group T.J. Kirk (with Charlie Hunter) whose sophomore album “If Four Was One” on Warner bros. was nominated for a Grammy in 1997. Will made further inroads with the Stanton Moore trio which toured extensively and made 3 albums on Telarc and a Hal Leonard drum instructional video and book.

Bernard broke out as a bandleader in 1998 with the release of “Medicine Hat” (Antilles/Polygram), showcasing his expert chops and flair for funky, bottom-heavy soul-jazz. He then followed up with two self produced albums (“Motherbug” and “Directions To My House”), before making two albums on Palmetto Records (“Party Hats” and “Blue Plate Special”). “Party Hats” garnered a nominated for a Grammy Award in 2008 for best contemporary jazz album. The all-star “Blue Plate Special” includes performances by Stanton Moore, Andy Hess and John Medeski. In 2011, Bernard released an organ trio record titled “Outdoor Living” to positive reviews with his own genre-bending style.

Will recorded 3 albums on Posi-tone records  “Just Like Downtown” (Posi-Tone 2013) which features John Ellis on tenor sax and bass clarinet, Brian Charette on organ, and Rudy Royston on drums and “Out and About” (2016). which features Ben Allison, Allison Miller, Brian Charette and John Ellis. And Ancient Grains (Posi-Tone 20210 These recordings  demonstrates Bernard’s roots in straight-ahead jazz and more traditional styles as well as funk and free wheeling improv.

Will recent self produced albums include Freelance Subversives (2020 Ropeadope), Pondlife (2022 Dreck to Disk) and “Sky” with Beth Custer (Dreck to Disk 2023).

As a touring artist, Bernard has hit the road extensively with sin his own bands or as a member of the Stanton Moore Trio, Robert Walter’s 20th Congress, Groundation, and numerous other lineups. As a leader Bernard has performed at The Monterey, North Sea, SF Jazz, Jazz a Vienne, Bumbershoot, Be-Bop and Brew, Montreal, Vancouver, Carribean Sea, and The High Sierra festivals,as well as clubs and festivals across the US, Europe and Canada. They have opened for Herbie Hancock and the Head Hunters, Jimmy McGriff, The Funky Meters, John Scofield, Medeski, Martin and Wood, Zigaboo Modeliste and the Charlie Hunter Quartet.
Will has performed and or recorded with Dr Lonnie Smith,Tom Waits, Ben Sidran, Dr John, Booker T.Jones, Steven Bernstein’s Millennial Territory Orchestra, Butler/ Bernstein and the Hot Nine, George Porter Jr., Zigaboo Modeliste, Global Noize, Greyboy Allstars, Galactic, Medeski, Martin and Wood, Mike Clark, Idris Muhammad and others.
As well as leading his own groups, Will performs regularly with the NY collaborative electro-funk band “Pleasure Drones”, the W-Beez (With Wil Blades), Peter Apfelbaum’s Sparkler and John Medeski’s Mad Skillet with Kirk Joseph and Terence Higgins.

What the Critics Have Said:

“….Bernard cruise(s) with the mercurial flow of Steve Cropper (Booker T & The MG’s) and obvious ancestor Grant Green. But, there’s more razor sharp teeth inside his bite than these touchstones.”– Dennis Cook, Jambase

“He’s probably the most versatile guitar player I’ve ever worked with…He’s just killing” – Stanton Moore

“Will Bernard’s Directions to My House comes as nothing less than a revelation” – Eric Snyder, Tampa Weekly Planet

“…a player who clearly deserves a wider audience for his imaginative genrebusting aesthetic”– John Kelman, All about Jazz

“Bernard deserves higher recognition as one of jazz’s harest working and most gifted guitarists”– Dan Ouellette, Billboard

Hanging out with some of Bernard’s [songs] is like stepping into a Coen Brothers movie, an Elmore Leonard novel, or any other alternate reality peopled by unforgettable freaks.”– Joe Gore, Guitar Player